Beyond Pleasure
Freud, Lacan, Barthes
204 pages | 24 color/12 b&w illustrations | 8.5 X 9.5 | 2007
Cloth edition is not available
ISBN 978-0-271-02971-9 | paper: $40.00 sh
Refiguring Modernism Series
"This new book by Margaret Iversen is truly exceptional. Ranging across modern and contemporary art with remarkable adeptness, each of its chapters has a lustre and perfection that reflects her profound knowledge of philosophical aesthetics and psychoanalysis. It is guaranteed to reinvigorate debate about art and psychoanalysis." —David Lomas, University of Manchester
It is very well written, making difficult Lacanian and other psychoanalytic concepts lucidly accessible and illuminating. It is extremely well informed with respect to the history of Lacanian psychoanalysis and its relations with Surrealism and art and film criticism. I am struck by the clarity of Iversen's expression when she translates theoretical jargon into plain English." —Murray M. Schwartz, Emerson College
In Beyond the Pleasure Principle, Freud observed that the life-enhancing pleasure principle seems disrupted by something internal to the psyche. He took into account the possibility of a “death instinct” bent on returning the living organism to its origin of undifferentiated matter. In Beyond Pleasure: Freud, Lacan, Barthes, Margaret Iversen uses the writing of Freud, Lacan, the Surrealists, and Roland Barthes to elaborate a theory of art beyond the pleasure principle.
Lacan was in close contact with the Surrealists and, early in his career, exchanged ideas with Dalí. This book offers a detailed reading of Dalí’s “paranoiac-critical” tour de force, The Tragic Myth of Millet’s Angelus, in which he demonstrates a method of interpretation that involves the projection and analysis of paranoid fantasies. The author later discusses the aesthetic dimension of the disintegrative death drive explored in Georges Bataille’s Eroticism and in Anton Ehrenzweig’s Hidden Order of Art, both of which inspired Robert Smithson. Iversen also takes up a postwar-era narrative that examines Maya Lin’s Vietnam Veterans Memorial and Robert Smithson’s Spiral Jetty. Beyond Pleasure shows that the aesthetics of Freud’s theory continue to resonate in the contemporary art world.
Margaret Iversen is Professor of Art History and Theory at the University of Essex.
Contents
List of Illustrations
Acknowledgments
1 Introduction: From Mirror to Anamorphosis
2 Uncanny: The Blind Field in Edward Hopper
3 Paranoia: Dalí Meets Lacan
4 Encounter: Breton Meets Lacan
5 Death Drive: Robert Smithson’s Spiral Jetty
6 Mourning: The Vietnam Veterans Memorial
7 The Real: What Is a Photograph?
8 Conclusion: After Camera Lucida
Notes
Bibliography
Index